AR AJEWOsyncable analog delay line operator’s manual rev. 1984/1.0
Model of 1984
operator’s manual rev. 1984/1.0
module explained
SALUT
Thank you for purchasing this Xaoc Devices product. Sarajevo is an analog delay module based on old school (but newly manufactured) BBD (Bucket Brigade Delay) chips. It features three delay taps, an external clock input with various tempo sync factors, and a wide range of settings controllable via CV. It is based on high-quality components with the maximum effort put towards the highest sound quality possible, while still preserving the charm of the BBD technology. The module offers a lean and warm analog sound with tons of character and a comfortable user interface with a tap tempo button, signal level indicators, sync and CV inputs, four signal outputs, and an adjustable feedback filter.
INSTALLATION
The module requires 12hp worth of free space in the Eurorack cabinet. The ribbon-type power cable must be plugged into us board, paying close attention to polarity orientation. The red stripe indicates the negative –12v rail and should point in the same direction on both the bus board and the unit. The module itself is secured against reversed power connection, however, reversing the 16-pin header may cause serious damage to other components of your system because it will short-circuit the +12V and +5V power rails. The module should be fastened by mounting the supplied screws before powering up. To better understand the device, we strongly advise the user to read through the entire manual before using the module.
MODULE OVERVIEW
Sarajevo features an audio delay line consisting of three BBD chips of 4096 stages each (see fig.1). All three chips are driven by the same clock and are connected in series so that the
delayed signal is available after each chip. A high signal–to–noise ratio is achieved thanks to signal companding (dynamic impression at the input matched with dynamic expansion on each of the outputs). An anti-aliasing filter at the input and anti- making filters on each of the outputs ensure optimal conditions for the BBD chips to process the signal. In general, the incoming signal must be band-limited in order to prevent high-frequency components from interfering with the clock. Similarly, lowpass filtering applied after the signal is processed helps to eliminate high-frequency artifacts introduced by the BBD chips. In Sarajevo, all of these filters are tunable and follow the current clock frequency, thus offering maximum bandwidth with minimal artifacts.
An internal feedback loop was taken from the last tap allows for the classic echo effect with additional coloration offered by an adjustable tilt filter. The feedback loop can also be processed externally while a crossfading circuit offers a continuous mix of the input and the signal from the last tap. The front panel of Sarajevo is shown in fig. 2. The signal you wish to process should be patched to the input jack 1. The level knob 2 above controls the amplitude with the input indication multicolor LED 3 providing visual feedback. The outputs from individual taps are labeled t1, t2, and t3, respectively: 4, 5, 6. The central large t3 time dial 7 allows for precise setting of the overall delay time of the three stages, from about 20ms to over 1.5s. The delay time can be modulated via CV patched into the corresponding jack below 8 or synchronized to an external clock source via the sync input 9 . ince all three BBD chips share a common clock, using the t1 and t2 outputs will provide signals delayed by 1/3 and 2/3 of the t3 time, respectively. The mixed output 10 delivers a continuous mix of your input signal and the t3 tap. The balance is controlled both by the effect knob 11 and the CV patched into the mix cv jack 12. The signal from the ext feedback loop input 13 is mixed with the input of the delay line. This jack is normalized to the t3 output, however, the connection can be broken by sending one of the tap outputs to an external processor (such as the Xbox Belgrad filter), and back to Sarajevo via the ext feedback loop input. regardless of the actual feedback signal path (internal or external), the signal always passes through an internal tilt-type filter, adjustable with the tone slider 14. The amount of feedback is controlled by the backslider 15. The bbd off-range led 16 indicates that the delay time set by the combination of the t3 time dial and the incoming CV signal exceeds the time range of the module. When the CV inputs are in use, the corresponding knobs act as offsets.
INPUT SIGNAL
Sarajevo is AC coupled and accepts modular level audio signals (10Vpp and higher). The level knob attenuates the input to prevent distortion (indicated by the color of the input indication LED). When it turns from green to yellow and then to red, it means the signal is too hot and the BBD chips may introduce audible distortion.
FRONT PANEL OVERVIEW
CONTINUOUS AND TAP-TEMPO DELAY CONTROL
Sarajevo can operate as a continuously variable delay or in one of two synced modes in which the delay follows a given time base. The illuminated tap tempo button 17 always blinks with a period equal to the current delay time, while its color indicates the current ode. Please note that, unlike digital delay effects which vary the length of their memory buffer, each change of the delay time in Sarajevo is reflected by a change in speed of signal propagation in a fixed delay line, hence it will inevitably cause pitch variation similar to the sound of a tape-based machine.
FREE MODEWhen Sarajevo operates in free mode, the tap tempo button blinks green, and delay time is continuously adjustable from 20 to 1560ms via with the central dial. The external CV input adds an offset to the current value, extending the delay time up to 4x (with negative CV) as well as shortening down to ¼ (with positive CV). Keep in mind that you cannot exceed the limits mentioned above. Values beyond the range will be clamped and the bbd off-range LED will appear red.
TAP-TEMPO MODE
Pressing the tap tempo button at least two times switches Sarajevo to tap-tempo mode, indicated by a yellow tap tempo button backlight. The period of your recent taps is measured and used as the current time base (unless it is slower than the longest delay setting,i.e.
1560ms). In this mode, both the t3 time knob and the corresponding CV input are still active, but their function changes so that the t3 time knob allows for multiplication or division of the time base. The delay time is modified by one of the factors from the cale: 1:6, 1:4, 1:3 1:2, 2:3, 1:1, 3:2, 2, 3, 4, 6. Turning the dial will switch these factors in discrete steps. Turning the dial left will shorten the delay time (from 1:1 ratio to 1:6 ratio). Turning the dial right will lengthen the delay time (from 1:1 ratio to 6:1). A long press of the tap tempo button brings you back to free mode.
SYNC MODEPatching an external clock source to the sync input switches Sarajevo to external sync mode, indicated by a red tap tempo button backlight. The delay now follows the tempo of the external clock while applying the same modifications (and automatic adjustments) of the factor as in tap-tempo mode. Please note that you cannot exit this mode as long as a cable is patched and new impulses arrive. When you unplug the cable, the module returns to the free mode, with the delay time reflecting the current position of the t3 time knob. Again, you cannot exceed the BBD clocking limits by turning the knob to the extremes and/or applying a high amplitude CV signal. However, instead of clamping the delay time at the upper or lower limit, the time factor is automatically reduced to the nearest synced value, so that your echoes remain in sync.
TAB-TEMPO & TIME CV INPUT BEHAVIOR
The time CV input acts as an offset and provides two user-selectable options. The default behavior is that CV is added to knob position which yields quantized switching between time factors. The alternative option is that the CV value is unquantized which allows for subtle modulation of the delay time. In order to activate the second option, power up your system while holding the tap tempo button.
OPERATING THE FEEDBACK
The backslider potentiometer determines how much of the delayed signal is returned to the input of the BBD line and mixed with the input signal. Obviously, the stronger the feedback, the more the echoes repeat, thus sustaining the sound to the point here self-oscillation builds up a wall of saturated sound and noise. Please note that the buildup or decay rate depends very much n the current delay time—the key is the number of audible repetitions. The illuminated back slider shows the amplitude of the feedback signal by blinking green and turning to red to warn that the signal is too hot and close to the clipping level of the BBD chip.
Besides the depth of feedback, you can also shape the frequency content of your signal by adjusting the tone slider (fig. 3). Keep in mind that with deep feedback your sound will pass through this filter multiple times and the effect will be more and more pronounced. In the middle position of the slider, it introduces very little coloration. At the lower position of the slider, the filter amplifies lower frequencies while attenuating higher frequencies. Please note that amplifying low frequencies may accelerate the self-oscillation effect and increase distortion. At the higher position of the slider, the filter will attenuate low frequencies and amplify middle and higher frequencies, hence the echoes will sound brighter. Again, note that exaggerating this effect may affect feedback depth. The illuminated tone slider blinks in color, showing which frequencies are dominating in your feedback signal ith red indicating highs and green indicating lows.
EFFECT MIXING
The effect knob in Sarajevo controls the wet/dry balance in a distinct manner. In the middle position, both the original and delayed sounds are delivered to the mixed output at their original amplitudes. Unlike a traditional crossfader, turning this control eft and right attenuates one of the signals without amplifying the other. This balance can also be
BBD TECHNOLOGY
Bucket Brigade Delay is an analog technology used in vintage integrated circuits that were popular in the 1970s, long before digital signal converters and digital memory were affordable. Each BBD chip contains thousands of small capacitors and pMOS r MOS transistors that act as analog switches. The signal is transferred as an electric charge that is passed from one stage to the ext, like a fire brigade passing buckets of water (hence the name). A clock signal governs the speed of charge transmission, and directly controls the delay time: the faster the clock, the shorter the delay (and vice versa). Due to the limitations of vintage technology, signal degradation occurs—some noise and analog distortion result from the nonlinearities of MOS transistors. Even though contemporary digital delay effects offer a much cleaner signal, BBD delays are still sought after due to their desirable sonic characteristics. Furthermore, the range of delay time offered by just a single BBD chip is limited o 20–300 ms, which is much less than what is commonly expected from modern delay effects. In order to achieve more attractive times, several chips must be used and the clock partially operates outside of the factory specifications. This yields additional signal degradation at extreme delay time settings due to the accumulation of noise and distortion from multiple stages.
voltage–controlled by a bipolar (±5V) signal patched into the mix cv input.
DELAY TIME VS BANDWIDTHJust like any other BBD-based effect, Sarajevo achieves long delays by reducing the clock rate, which inevitably limits the usable bandwidth. At the end of the scale, the (normally ultrasonic) clock is slowed enough to become an audible whine. Also, it produces some aliasing and imaging artifacts, as well as increased background noise. Sarajevo handles this problem by automatically adjusting its four internal filters that attenuate unwanted components just before they become audible. That is why the signal becomes dark when the delay is set beyond 500ms, and even darker the further the scale. Each unit comes factory calibrated to achieve the optimal balance between the bandwidth and artifacts.
USAGE TIPSSarajevo is intended as a long delay effect unit, and as such, it excels at longer delay settings. For best results at the shortest delay settings you are advised to use the t1 output and combine it with moderate, but not mini- mum delay time settings of the t3 time dial. To make Sarajewo work as expected in that configuration—and depending on the intended sonic result—you may wish to patch the t1 output to the ext feedback loop input. To mix the dry signal with the wet signal from the t1 output, an external mixer s needed, as the internal effect mixer always crossfades between the dry and the t3 signal.•
WARRANTY TERMS
XAOC DEVICES WARRANT THIS PRODUCT TO BE FREE OF DEFECTS IN MATERIALS OR WORKMANSHIP AND TO CONFORM WITH THE SPECIFICATIONS AT THE TIME OF SHIPMENT FOR A PERIOD OF ONE YEAR FROM THE DATE OF PURCHASE. DURING THAT PERIOD ANY MALFUNCTIONING OR DAMAGED UNITS WILL BE REPAIRED, SERVICED, AND CALIBRATED ON A RETURN-TO-FACTORY BASIS. THIS WARRANTY DOES NOT COVER ANY PROBLEMS RESULTING FROM DAMAGES DURING SHIPPING, INCORRECT INSTALLATION OR POWER SUPPLY, IMPROPER WORKING ENVIRONMENT, ABUSIVE TREATMENT, OR ANY OTHER OBVIOUS USER-INFLICTED FAULT.
LEGACY SUPPORTIF SOMETHING WENT WRONG WITH A XAOC PRODUCT AFTER THE WARRANTY PERIOD IS OVER, NO NEED TO WORRY, AS WE’RE STILL HAPPY TO HELP! THIS APPLIES TO ANY DEVICE, WHEREVER, AND WHENEVER ORIGINALLY ACQUIRED. HOWEVER, IN SPECIFIC CASES, WE RESERVE THE RIGHT TO CHARGE FOR LABOR, PARTS, AND TRANSIT EXPENSES WHERE APPLICABLE.
RETURN POLICYTHE DEVICE INTENDED FOR REPAIR OR REPLACEMENT UNDER WARRANTY NEEDS TO BE SHIPPED IN THE ORIGINAL PACKAGING ONLY, SO PLEASE KEEP IT JUST IN CASE. ALSO, A FILLED RMA FORM MUST BE INCLUDED. XAOC DEVICES CAN NOT TAKE ANY RESPONSIBILITY FOR DAMAGES CAUSED DURING TRANSPORT. PRIOR TO SENDING US ANYTHING, PLEASE CONTACT US AT [email protected].NOTETHAT ANY UNSOLICITED PARCEL WILL BE REJECTED AND RETURNED!
GENERAL INQUIRIESFOR USER FEEDBACK SUGGESTIONS AND DISTRIBUTION TERMS, FEEL FREE TO CONTACT XAOC DEVICES AT [email protected]cOm. PLEASE VISIT THE XAOCDEVICES.COM FOR INFORMATION ABOUT THE CURRENT PRODUCT LINE, USER MANUALS, FIRMWARE UPDATES, TUTORIALS, AND MERCHANDISE.
WORKING-CLASS ELECTRONICS
report this adEASTERN BLOC TECHNOLOGIES
MADE IN THE EUROPEAN UNION
WRITTEN BY M. BARTKOWIAK, EDITED BY Ł. KACPERCzYK AND M. ŁOJEK. PROOfREADINg AND EDITINg BY B. NOLL. DESIgNED BY M. ŁOJEK. ALL RIgHTS RESERVED. CONTENT COPYRIgHT ©2020 XAOC DEVICES. COP- YING, DISTRIBUTION, OR ANY COMMERCIAL USE IN ANY WAY IS STRICTLY PROHIBITED AND REQUIRES THE WRITTEN PERMISSION BY XAOC DEVICES. SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT PRIOR NOTICE.
MAIN FEATURESBBD-based analog delay unit Up to 1560ms of analog delay times Three delay taps with individual outputs External clock synchronization Manual tap tempo function Variable tempo divisions and multiplications Automatic bandwidth control Tilt filter in feedback loop External feedback loop input tEchnicAl dEtAilS Eurorack synth compatible 12hp, skiff friendly Current draw: +180mA/-120mA Reverse power protection
References
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